![]() The performance was filmed in Super 16mm and the transfer to Blu-ray has not yielded a crisp, high definition visual experience. The riffs are big, the presentation is huge, but the experience is much less. The sheer tonnage of the decibels being projected could stun a herd of bulls yet beneath all the bombast this show feels decidedly smaller. There are thousands of excited, energized rockers in the crowd enthusiastically pumping their fists in the air, singing every word to every song. ![]() The band is playing the massive Plaza De Toros in Madrid, Spain. The show was captured on the band's Ballbreaker tour in 1996. I can't speak to whether or not this director's cut improves upon the perceived flaws of the first incarnation but I can tell you this is still not a great watch. Now, the film has been re-cut and the sound re-mastered for a re-release on DVD and Blu-ray. We're told Bull rushed for release in 1996 and that Mallet wasn't entirely pleased with the results. Director David Mallet (who also directed the band's Donnington show from The Razor's Edge) was once again behind the camera for No Bull. ![]() The package of the re-released No Bull tells us there were problems with this film upon its initial release. ![]() While the simile may not be appropriate for political debate, it does apply to this director's cut of AC/DC's No Bull. The director's cut of AC/DC's No Bull is a lot like slapping lipstick on a pig. ![]()
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